23 March 2021 An Unfairly Cranky Tour of Kyle Ruh’s Discography

19 March 2021 Book Review: Love Lettering, by Kate Clayborn

26 February 2021 Song Review (plus Illustrated Guide): Irina Kairatovna feat. De Lacure & Hiro, “Wu Kang”

19 February 2021 The Podcast Life with ZaQ and Ace (and Me Making Mountains out of Molehills)

11 February 2021 Of Over-identification, Bad Fan Behaviors, and Choice

9 February 2021 Song Review: Yubin, “Perfume”

5 February 2021 Song Review: Ninety One ft. Irina Kairatovna, “Taboo”

2 February 2021 Song Review: SOPHIE, “UNISIL”

28 January 2021 Song Review: Ninety One, “Oinamaqo” (with additional thoughts on their recent online concert)

24 January 2021 If the Jew Is Forever Alienated from America, What Is the Half-Jew Alienated From?

21 January 2021 I Have a Mailing List!

14 January 2021 “How Can You Write About Pop Music at a Time Like This?”

10 January 2021 A Biased Defense of Steve Winwood’s “Higher Love,” in Response to a Biased Criticism of Steve Winwood’s “Higher Love”

30 December 2020 Song Review: Bala & Ne1tron, “JJBSQ”

27 December 2020 My Best-Liked Songs of 2020

3 December 2020 Of the Red Cross, Communication, and My Good Blood Turned Bad

30 November 2020 Song Review: Ninety One, “Señorita (Tekketekke)”

25 November 2020 Song Review: Moonlight, “Mama uryspanyz”

18 October 2020 A Minimally Helpful Guide to Ninety One

16 October 2020 Against the Queenification of Blackpink

13 October 2020 Song Reviews: Kim Namjoo, “Bird,” and Solar, “Spit It Out”

8 October 2020 In Which My Bot Therapist Throws Me Some Softballs

1 October 2020 Who Could Possibly Object to Cute Girls Laughing Their Way Through Relay Dances?

27 September 2020 On the Dissolution of Sevenlight and the Future of Q-pop

24 September 2020 A Cranky Response to an Alex Ross Piece on the Environmental Footprint of Digital Music

22 September 2020 Song Review: EQ, “Darumen”

18 September 2020 Song Review: Wonho, “Open Mind”

12 September 2019 On #BTSDontGo and Capitalism Versus Economic Nationalism